I pulled out the iPad Pro and a card reader, and within only a few moments I was reviewing them on screen. While sitting in the car (in the middle of the desert, in the middle of nowhere), I decided to offload my images and review them.
I was working with Mavic Pro 2 in the black volcanic deserts of south Iceland.
This is why world-class retouchers have been using Wacom tablets for years, and now with the new iPad Pro, iOS 12, and new software from Lightroom CC all together, we can easily and quickly make natural edits like these on-the-fly. Using the Apple Pencil means I can make very natural yet precise adjustments to BCCC, with organic, free-flowing movements instead of lasso selections or mouse-controlled brush strokes. The trick to great editing, for my style, is to be subtle and natural, not to edit in such a way that the viewer looks at the image and thinks “this looks like it’s been edited.” Instead, the goal is for the viewer see the image, emotionally connect to the subject, and never even think about whether it’s been edited. When I’m editing, I’m always looking for ways to tweak four elements of a photograph: brightness, color, clarity, and contrast (BCCC). How does Apple Pencil impact photographers?
Double-tap to switch to eraser is quite handy, I dig the no-roll design, and the matte finish is a nice touch too. That said, the team at Apple has really improved the Pencil a bunch of ways: magnetic charge and sync is by far the biggest change and it means your Pencil will basically never be out of charge again. I always felt I was going to accidentally snap off the Pencil inside the Lightning port when it was sticking out of the end charging (though I never did). My only complaint about the original Pencil was the awkward charging method.
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